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Dystopian Science Fiction Books. Dystopian art by Alex Andreev. Dystopian fiction is making us scared. Stop writing it! Or, we’re writing it because we’re already scared, so we should probably write more.

The future, like the present, can be both wonderful and terrifying. If you find yourself drawn to dystopian stories, ask yourself, “Why?” Is it because the future looks bleak? Or does a truly fresh start sound pretty good? It’s okay if the answer is both.

Feeling strongly about two or more completely contradictory things is deeply human (annoying, but human). Dystopian Science Fiction Books. These books are classics, bestsellers, famous, unknown, underrated, overrated, perfect for you, or just terrible for you. They’re mostly in alphabetical order.

Marcus Sakey – 2. The second book in the Brilliance series, A Better World mixes science fiction with slam- bang crime- fiction suspense. The reviews are glowing, so you might be better off starting with the first book, Brilliance. Be warned: A Better World will leave you waiting for the as- yet unpublished conclusion to the trilogy. He also claims to have heard the Cockney phase “queer as a clockwork orange” in a London pub, but research by a number of journalists has uncovered no such term used anywhere else.

Being that the phrase was overheard in a pub, it’s possible Burgess was already a few pints in when he misheard a drunken exclamation, misremembered it later when he had a chance to write it down, and now it’s one of the most famous titles in literature. Beth Revis – 2. 01. Amy is a cryogenically frozen passenger aboard the spaceship Godspeed. She has left her boyfriend, friends—and planet—behind to join her parents as a member of Project Ark Ship. Amy and her parents believe they will wake on a new planet, Centauri- Earth, three hundred years in the future.

But fifty years before Godspeed’s scheduled landing, cryo chamber 4. Amy is violently woken from her frozen slumber. Someone tried to murder her. Across the Universe is a young adult sci- fi that received a starred Kirkus review and onto The New York Times bestseller list. However, it’s definitely for teens. T. A Williams – 2.

Indie (i. e., self- published), but has promise. Reviews either love or hate the characters, but everyone agrees After The Event paints a bleak, realistic picture of a dystopian world. J. Neil Schulman – 1.

An unabashedly libertarian and market- anarachist (whatever that means) novel, Alongside Night follows the economic collapse of the United States. Richard K. Morgan – 2. Not since Isaac Asimov has anyone combined SF and mystery so well. A very rich man kills himself, and when his backup copy is animated, he hires Takeshi Kovacs to find out why.

Morgan creates a gritty, noir tale that will please Raymond Chandler fans, an impressive accomplishment in any genre. Jeff Vander. Meer – 2. An expedition of four women is sent into an unknown region called Area X, beyond the borders of humanity: a psychologist, a surveyor, an anthropologist, and our narrator, a biologist. The purpose of the mission is to collect data about Area X and report back to the government, the Southern Reach, but circumstances begin to change when the group discovers a tower (or tunnel) that was previously unmarked on the map. Inside the structure, strange writing is scrawled across the walls, and a spiral staircase descends downward, beckoning the members to follow.

Annihilation is the first book of the Southern Reach trilogy, and an unexpected foray into science fiction by “weird fiction” author Vander. Meer. Technological advancement is now carefully planned (when it is allowed to occur at all) and the concept of individuality has been eliminated (the use of the word “I” or “Ego” is punishable by death). Aldous Huxley – 1.

When Huxley wrote Brave New World, World War II hadn’t happened yet. But after that conflict, with its Holocaust and Hiroshima, Huxley wrote Ape and Essence with “sheer intractable bitterness,” according to Time. The book makes extensive use of surrealist imagery, depicting humans as apes who, as a whole, will inevitably commit suicide. Terry Brooks – 2.

With Armageddon’s Children, Brooks connects his Tolkien- esque Shannara fantasy world with his urban, post- apocalyptic Word and the Void books. It’s a stretch to call this science fiction, but it’s still fun dystopian fare. Kristen Simmons – 2.

Article 5 is young adult fare published by Tor Teen, and while reviewers like its action and adventure, they often wanted to slap protagonist Ember for being so dense and whiny. Ayn Rand – 1. 95. Atlas Shrugged is Rand’s fourth and final novel, and considered her magnum opus of fiction. Don’t read this because you’re in the mood for a ripping yarn—Atlas Shrugged is the articulation of a philosophy.“Both conservatives and liberals were unstinting in disparaging the book; the right saw promotion of godlessness, and the left saw a message of greed is good. Rand is said to have cried every day as the reviews came out.”– Harriet Rubin (2. The New York Times.

Koushun Takami – 1. Tell me if this sounds familiar: as part of a ruthless program by the totalitarian government, ninth- grade students are taken to a small isolated island with a map, food, and various weapons. Forced to wear special collars that explode when they break a rule, they must fight each other for three days until only one “winner” remains.

The elimination contest becomes the ultimate in must- see reality television. Or maybe Royale is just insane.”- Stephen King. Vladimir Nabokov – 1. Filled with veiled puns and wordplay, Bend Sinister is a haunting, compelling (and overtly political) narrative about a civilized man caught in the tyranny of a police state.

A “bend sinister” is a heraldic charge: A bar drawn from the upper left to the lower right on a coat of arms (from the point of view of the person wearing the shield). In a 1. 96. 3 edition of the book, Nabokov explains that “this choice of a title was an attempt to suggest an outline broken by refraction, a distortion in the mirror of being, a wrong turn taken by life.”1. Jos. Authorities confine the blind to an empty mental hospital, but once there, the criminal element holds everyone captive, stealing food rations and raping women. There is one eyewitness to this nightmare who guides seven strangers—among them a boy with no mother, a girl with dark glasses, a dog of tears—through the barren streets, and the procession becomes as uncanny as the surroundings are harrowing. Gene Wolfe – 1. 99.

I tried to like this book. I really did. Gazillions of other people do, but it took itself too seriously for me. It’s wonderfully imaginative, nicely bleak (if you’re in the mood for it), but it failed to really engage me. It’s not you, Shadow & Claw, it’s me. I think it’s time we read other people. Aldous Huxley – 1.

Both Brave New World and 1. Huxley seems to have gotten much of it right (though Orwell did nail the surveillance state). According to social critic Neil Postman: “What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one.

Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egotism. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy.”2. Ignatius L. Donnelly – 1. Like other dystopian novels, Caesar’s Column is more of an explanation of a philosophy than a true story. In this case, it’s agrarian Populism, a system of thought that was too boring for me to research any further. Caesar’s Column is a lesser- known example of the wave of dystopian novels that erupted during the turn of the century, a more famous example being Jack London’s The Iron Heel.

It’s lesser- known for a reason: it’s racist as hell, and the one review of it I could find talked about how great the introduction was. Kurt Vonnegut – 1.